Dala Nasser | Surface Works
Dala Nasser | Surface Works
2018
160cm x 195cm
Discarded fabric, survival blankets, coal, glitter, liquid latex, resin, chrome orange and DPP orange pigments.
Detail
2018
230cm x 180cm
Yves Klein Blue pigment, liquid latex, resin, discarded fabric, silver dressing.
Detail
2018
195cm x 120cm
Ash, salt, peppercorns, coal, liquid latex, resin.
Detail
2018
190cm x 130cm
Sumac, mint, coal, liquid latex, scaffolding fabric, resin.
Detail
2017
150cm x 150cm
Sand from Karbala – Iraq, cement, latex, charcoal, muslin
Detail
2016
220cm x 240cm
marble dust, trauma blankets, liquid latex
Detail
2015
195cm x 177cm
garbage, liquid latex, brick pigment, charcoal, tarpaulin
Detail
2015
55cm x 130cm
turmeric, liquid latex, salt, charcoal, plaster, acrylic
Detail
165 cm x 220 cm
liquid latex, fabric, charcoal
Detail
170cm x 130cm
emergency blankets, yellow ochre, liquid latex, discarded plastic sheet
Detail
2015
100cm x 125cm
hessian, liquid latex, brick pigment, charcoal, acrylic, rabbit skin glue
Detail
2015
100cm x 100cm
Dirt collected from studio floor, liquid latex, charcoal, latex sheet
Detail
2015
70cm x 120cm
liquid latex, epoxy resin, acrylic paint, magnetite powder, atomized iron powder
Detail
2015
110cm x 65cm
liquid latex, ultramarine, silver oxide, smalt, cobalt.
Detail
2015
50cm x 50cm
Liquid latex, resin, magnetite, charcoal, silver oxide, yellow ochre, ultramarine.
2015
50cm x 50cm
Liquid latex, resin, magnetite, charcoal, silver oxide, yellow ochre, ultramarine.
2014
37cm x 55cm
liquid latex, pigment, acrylic
2014
43cm x 43cm
liquid latex, pigment, acrylic
Surface Works, 2015-2019
works displayed at various group shows
Inspired by land art, textiles, and craft, Nasser’s practice finds its starting point in an event from which the fundamental subjects are reduced to conceptually representative materials, reworked to form both the surface and content of each work. Inspired by the writings of Jane Bennet and Robert Smithson, her aim is to shift the focus from the agency of the human artist to the non- human materials themselves recognizing the active participation of things in events. The defiance in her work of the conventional conceptions of painting is clear, yet the works’ respective purposes reveal themselves in their materiality, and the processes in which they interact with one another changing their form and appearance over time.